opera ad extra indivisa

In my gift-ontology, opera ad extra indivisa is the Latin shorthand for inseparable operations: the external works are undivided. It functions as a discipline for speech. It prevents assigning “creation” exclusively to the Father, “redemption” exclusively to the Son, or “sanctification” exclusively to the Spirit in a way that implies separate acts. Appropriation can still be used for fitting speech, but it must not be confused with divided causality. This term supports the strong simplicity profile of the approach: one act, one power, one will, one external operation, with taxis as ordered manifestation.